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Herod’s Feast: a dark family drama turns to tragedy

Giotto,_Feast_of_Herod,_1315-25,_Capella_Peruzzi,_Santa_Croce,_Florence.jpg

 FEAST OF HEROD

Giotto dit Bondone (1267-1337)

1320 - Capella Peruzzi, Santa Croce, Florence

 

 

 

John the Baptist (who baptised Christ) is imprisoned after denouncing the incestuous marriage of ruler Herod Antipas with Herodias, his own niece and wife of his half-brother. Salome, Herodias’ daughter, dances for banquet’s guests to the dulcet tones of a vielle (a medieval string instrument). Her performance bewitches the king, who offers her anything she wants in return. Upon the advice of her mother, Salome demands the head of John the Baptist, which she presents to the king. She then passes it to Herodias as the musician continues to play.-

LE FESTIN D'HERODE ET LA DECAPITATION DU BAPTISTE Giovanni Baronzio, c. 1330/35 - The Metropolitan Museum of Art, New York

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LA TETE DE JEAN-BAPTISTE EST MONTREE A HERODE Ecole d'Ulm, c. 1450 - Pinacothèque, Munich, Allemagne

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SALOME DEMANDE A HERODE LA TÊTE DE JEAN BAPTISTE Giovanni di Paolo, 1455/60 - Art Institute of Chicago

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LE FESTIN D'HERODE ET LA DECAPITATION DE JEAN-BAPTISTE Benozzo Fozzoli, 1461/62 - National Gallery Of Art, Washnington

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LE BANQUET D'HERODE Pedro Garcia Benabarre et son atelier, c. 1470 Musée national de Catalogne, Barcelone

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LE FESTIN D'HERODE Lucas Cranach l'Ancien 1531 - Wadsworth Atheneum Museum of Art, Hartford, CT, Etats-Unis

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SALOME RECEIVES THE HEAD OF JOHN THE BAPTIST Michelangelo Merisi da Caravaggio, ca. 1609/10 - National Gallery, London / 7

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LE FESTIN D'HERODE Pierre Paul Rubens, c. 1635/38 - Scottish National Gallery Edinburgh, Royaume-Uni

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FESTIN D'HERODE Mattia Preti, 1656-61 - The Toledo Museum of Art, Toledo, OH, Etats-Unis

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7. ALike other artists, Caravaggio retains the bare essentials of this tragic scene. The executioner, brutal in appearance, places John the Baptist’s head on Salome’s platter with disgust; the young woman’s empty expression and sideways glance are enigmatic. An aged servant crosses her hands in sorrow. The composition might appear simple at first glance, but it actually depicts a powerful physical and psychological interaction between the two main protagonists. 

Bible text: New Testament, Marc VI, 17-29

"For Herod himself had sent forth and laid hold upon John, and bound him in prison for Herodias' sake, his brother Philip's wife: for he had married her. For John had said unto Herod, It is not lawful for thee to have thy brother's wife. Therefore Herodias had a quarrel against him, and would have killed him; but she could not: For Herod feared John, knowing that he was a just man and an holy, and observed him; and when he heard him, he did many things, and heard him gladly. And when a convenient day was come, that Herod on his birthday made a supper to his lords, high captains, and chief estates of Galilee; And when the daughter of the said Herodias came in, and danced, and pleased Herod and them that sat with him, the king said unto the damsel, Ask of me whatsoever thou wilt, and I will give it thee. And he sware unto her, Whatsoever thou shalt ask of me, I will give it thee, unto the half of my kingdom. And she went forth, and said unto her mother, What shall I ask? And she said, The head of John the Baptist. And she came in straightway with haste unto the king, and asked, saying, I will that thou give me by and by in a charger the head of John the Baptist. And the king was exceeding sorry; yet for his oath's sake, and for their sakes which sat with him, he would not reject her. And immediately the king sent an executioner, and commanded his head to be brought: and he went and beheaded him in the prison, And brought his head in a charger, and gave it to the damsel: and the damsel gave it to her mother. And when his disciples heard of it, they came and took up his corpse, and laid it in a tomb."

GALLERIES THE BLOOD OF CHRIST IN THE NEW TESTAMENT AND CHRISTIAN ICONOGRAPHY

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